Catching up – THE FRISCO FLASH and National Play Conference, also DON’T EAT PAPER! and PRAY WITH A BULLET

I’ve had some life changes (we searched for, found, bought a house, and after some relatively minor repairs, are now filling up with new furniture) that have kept me from updating my website and this blog) for quite a while. So here’s a catch-up…

The most important professional news I’ve had is that my play “THE FRISCO FLASH” made it to semi-finals of the National Playwrights Conference a.k.a. The O’Neill. I’ve never made it to even quarter-finals before (and suspiciously in the past the winners always seemed to be established playwrights but now a blind submission really does seem to be blind. Unfortunately, semi-finalists don’t get mentioned on the website, so here is a screenshot of my email from the O’Neill:

Even though I’ve revised “DON’T EAT PAPER!” into a shorter, tighter screenplay, I’m only submitting to a select group now (like the Nicholl). In the end, I just don’t see these competitions as cost effective. Of of the few that I did submit to, I recently did score a Semi-Finalist rank in 2026 Outstanding Screenplays Feature competition:

Now, to contradict my assertion that most of these script competitions have proved to not be cost effective, the Glendale (CA) International Film Festival, though a small local festival, proved to be an exception to the rule. I highly recommend people submit to it. It’s well run. They communicate. They care about film and their city. They treat the screenwriters with respect. Both the opening party and the awards ceremony included free food and drink that was quite good. Plus of course, there were good screenings and panels that the writers could also attend. I went to one with art directors and set decorators.

The closing ceremony for Glendale was held in a historic building (the Glen Arden Club) where the local Moose (like the Elks, Lions etc) lodge meet among other events.

Mark DeCarlo (who actually has been on TV and won an Emmy) was the host. I won’t say all of his jokes were fresh and funny, but some were and he kept things moving in a professional way, better than any other host at a small festival ceremony.

I don’t love the picture of me, but it shows I was there at least…

Finally, this also goes back to 2025. The script for “PRAY WITH A BULLET” was put into the miscellaneous category for FilmQuest (a well regarded genre festival focusing on horror and sci-fi thus why a thriller didn’t really fit but they clearly liked the script). I include it in this post particularly because it’s one of the coolest official laurels I’ve gotten.

Los Angeles Film & Script Festival Honors 4 Screenplays and 1 Play

The Los Angeles Film & Script Festival named “THE LOST TREASURE OF THE MAYANS” as BEST SCRIPT (Action/Adventure) while giving Honorable Mention to “DON’T EAT PAPER!”, “LIMPING TOWARDS BABYLON” and “PRAY WITH A BULLET” with the stage play “THE FRISCO FLASH” also got an Honorable Mention

https://lafilmandscriptfest.com/LAFSF_Winners.html





FESTIVAL ANGAELICA names 4 full length and 1 short script as Official Selections

Festival Angaelica (based in Pasadena, CA) has named 4 of my full length scripts: “Don’t Eat Paper!”, “Limping Towards Babylon”, “Pray with a Bullet” and “The Lost Treasure of the Mayans” and 1 short screenplay “Hell Hath No Fury (Pi)” as Official Selections.





PRAY WITH A BULLET and HELL HATH NO FURY (PI) at LANEFF

My full length PRAY WITH A BULLET and high concept short script (the devil is the private eye and Eve is the femme fatale) received the Writer Award (essentially Finalists by another name at the 2024 Los Angeles Neo Noir Novel,Film and Script Festival on December 3.

Additionally, I made a short pitch video about the scripts and ‘noir:

Julius Galacki at a Screenwriters Presentation for “Don’t Eat Oat the San Pedro International Film Festival

Logline:
I drove down to San Pedro for the final night of the San Pedro International Film Festival (for those outside LA, it’s the port for Los Angeles right next to Long Beach, but is only connected to the rest of LA by a narrow corridor so that it feels very much like a different city). The San Pedro downtown can be desolate in some areas but there’s an arts / restaurant revitalization in a few blocks, which is where Collage: a Place for Art and Culture is located and the place for the closing night party and awards.

“Don’t Eat Paper!” remained only a nominee but I did take part in a presentation with the winning screenwriter about our respective screenplays. An unexpected lively Q&A followed where I was asked quite a few questions and even asked for advice for the beginning screenwriter. (I actually could give her some practical advice as I’ve been doing this a while, but it was the first time I’ve ever been asked that question.) I also got to drink some Croatian wine (a sponsor of the festival)… haven’t had Croatian wine since 1987 when I took a vacation there.

Next to Collage was a beautiful Art Deco former Montgomery Ward department store from 1930, which has been put to re-use.

“DON’T EAT PAPER!” named Best Comedy Screenplay at Film Crash, currently a Finalist at Austin Comedy Film Festival and an Official Selection at San Pedro

Film Crash has been around for nearly 40 years, starting in NYC and currently held in Los Angeles (at the Royale Theater), while the San Pedro International Film Festival is at the gorgeous old Warner Grand in that Los Angeles harbor neighborhood.