Logline: In the midst of a bloody New York gang war, a love triangle develops between two cops and a mysterious, art loving assassin; “PRAY WITH A BULLET” is an opera sung to bullets instead of music; imagine the style (and violence) of John Woo’s “The Killer” or Luc Besson’s “Leon: the Professional.”

Reader: “There is an excellent writer’s voice in this screenplay and it’s clear that this is a revised version of whatever this script must have been. It’s great to see a script that has clearly gone through multiple rounds of development. The storytelling voice that allows to ‘Pray with a Bullet’ to read as a journey rather than a manual for screen is fascinating and engaging…. Again, excellent job with the writer’s voice and overall narrative with ‘Pray with a Bullet.'”

Reader 1: “In ‘Pray with a Bullet’ we have some excellent character work at play. There are fantastic creative choices as well within the writing; the writer’s voice shines in this screenplay…. This is such a fun ride to embark on as a reader … Wonderful job!”

Reader 2: “‘Pray with a Bullet’ is a riveting tale, strong in its purposeful tone and vivid writer’s voice….this is an excellent ride and adventure. Wonderful job”

Reader 3: “‘Pray with a Bullet’ has really stellar character build and development. It’s clear the writer has a strong understanding of people as a whole and how change in them comes about. The dialogue is relatively strong as well– natural and engaging…. Great job!”

All photos by Julius Galacki taken at an LAPD training ground.